The New York Times attempts to explain the recent closing of CARRIE by interviewing producers not connected to the show. That's sort of like asking executives at Sprint, Verizon and T-Mobile what the devil's wrong with AT&T. Here's a sampling of the imaginative conjecture that now qualifies for Arts-related news on the pages of the Times.
Several theater producers contacted recently said that “Carrie,” no matter how well acted and sung, presented far more than the usual share of difficulties, the most insurmountable being that nearly every character is dead at the end.
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