Being an artist has never been a walk in the park. Every generation is tempted (and often succumbs) to imagine some Arcadian past when things were simpler and easier. “Oh, if only to have been a playwright in the 1590s, 1930s, or 1960s” – choose your decade.
I was recently reminded of this truth when I read the following in a book on plotting by the late novelist Patricia Highsmith, published almost 30 years ago: “Economics are a problem, and writers are always preoccupied with it, but this is part of the game. And the game has its rules: the majority of writers and artists must hold two jobs in their youth, a job to earn money and the job of doing their own work. It is a bit worse than that. The Authors League reports that 95% of writers in America must hold another job all their lives to make ends meet.”
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