
This past weekend was kind of emotional for me and our staff. After years of accumulating some of the most gorgeous costumes -- all designed and built by our fabulous team -- we had to make room in storage for a future. The simple fact is, our offices, rehearsal and shop spaces are all just crowded to maximum capacity.
Continue reading "Boheme, Rigoletto and Rakes Progress Costumes off to Goodwill" »

"Extra Criticum is a forum for commentary and dialogue about what's on the minds of artists working in the performing arts." So, what's on my mind? Sex! But I'm supposed to write about film here, so what's a blogger to do? Eureka! Write about sex in films.
Continue reading "Sex!" »

It is easy to sit back and enjoy
Herb and Dorothy, the documentary about the Vogels, as a portrait of a couple of New York City characters, the kind Joseph Mitchell wrote about. They're elderly, they dress funny, they have New York accents, they live in a cluttered one-bedroom, rent-controlled apartment with cats and turtles, and they have a secret life the sharpest
What's My Line? panel would never discover. You wouldn't know it from the look of them, but this cute man (who never finished high school) and woman (a librarian) are obsessed with collecting art, mostly the work of post Pop New York artists. They used his modest post office salary to buy art and her city government salary to pay the bills, and thanks to an intuitive and profound understanding of what is good and what will be considered good in the future, the Vogels amassed what is probably the most important private art collection from that era in the country.
Continue reading ""Herb and Dorothy": Adopt Me!" »
After days of arduous nail-biting debate, we have an official winner to the "Put Words in Mister Softee's Cone" Lyric Contest. Congratulations to E.C. regular contributor, Robert David Sullivan, whose lyric appears below. Mr. Sullivan wins an all-expenses paid trip to the original Ben & Jerry's store in Vermont so that he can thoroughly cleanse his palette of the taste of pseudo-ice cream. Congratulations, Robert!
Continue reading "The Winning Mr. Softee Lyric is Announced!" »
Below is the document that proves that I helped deliever Justice...well...at least that's what they said I did...
Continue reading "Jury Duty v.4" »

Caught and released! Right after lunch...they dismissed me! I guess it pays to be thoughtful and and judgmental in your answers during jury selection.
I'm back in the pool.
Continue reading "Jury Duty: v.3" »

The civic duty of everyone...I suppose. But, now that I'm sitting here, having to get up early, trudge to a not particularly pretty part of Queens, after listening to a court officer at the end of his rope, and a Judge, who recounted his resume from 1948 on, who talked about each court in Queens, and the movies that are based on real court cases from Queens--riveting--and now we get to watch Mrs. Doubtfire as we await our name being called...I really question whether or not civilization is worth it.
Continue reading "Jury Duty: v.1" »

So who's been watching the new greatest show on cable? NURSE JACKIE starring Edie Falco is the next best thing to dark chocolate truffles for this lady writer.
As I struggle working on my own original tv series (and other female predominant 'vehicles' since I am a female) I am grateful that SHOWTIME (the new HBO) has put together someone of her stature and talent, a wonderful show starring a wonderful actress, and a woman in the lead role.
Continue reading "Thank You SHOWTIME for NURSE JACKIE" »

I have been designing sound for a lot of readings,
lately.
I think that is due to an
equal mix of the economy and how simple it is to bring sound to spaces big and
small.
It seems to me
that these days people are more willing to put a little money into a reading
before jumping headlong into a full production. There have always been festivals where plays get either an
almost-full-production, or a music-stand-and-chairs-production. I have been contemplating how much
these help or hinder a show. I
have no doubt that hearing a play on its feet, being read by people who have
spent some time with the script is extremely helpful to all involved, the
playwright, the actors, the director, the producers, as well as the
audience. Plays are meant to be
heard, readings are the perfect venue for hearing them.
Continue reading "Design for Readings" »
One major key to the success of the original Law & Order series is the intangible known as "ensemble."
Which of the following combinations of core actors do you think resulted in the best chemistry? Register your vote (with explanations, please) in the COMMENTS section below.
Continue reading "It's All About the Ensemble: Which Law & Order Cast Worked Best?" »
(pictured at right: Schoenfeld and another actress friend of his)
It’s been seven months now - a bit late for an elegy or eulogy - and a bit late for me to come out of my shell to bid Gerald Schoenfeld adieu. But he was my Auntie Mame so here goes…
We met after a first rehearsal when I was doing a backers audition for “Awake & Sing” in 2003. He had generously championed a reading by my company from Los Angeles, offering the Shubert conference room as rehearsal space. He had such a presence - a very serious, intimidating gaze. Ed Asner was playing “Jacob” and was rushing off to lambaste Bush on Fox News and the two of them got into how messed up the world was since the 2000 election and how it can never happen again. That's when he found out I was a Lefty.
Continue reading "Remembering Gerald Schoenfeld: With love, from Lisa Greenberger…" »
In Part I we were introduced to Marianne Petit, artist, animator, and teacher, and her project Recollecting Adams. Here, we're going to get specific.
Was it difficult finding the three minute nuggets in their recollections?
Well, I easily have an hour or more collected per person and there are easily a bunch of incredible stories told by each person. I'm glad they sound like three-minute nuggets! There's a bit of audio editing at work--some episodes are quite edited, and others less so. It depends upon the person. I don't really edit the content of the stories or the spirit in which they're being said, so the truth is I don't think anyone has ever really noticed that I edited their interview!
Continue reading "Where Memory, Community, and Art Meet: Part II" »
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